Please Come Again Directed by Alisa Yang
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For a flick then greatly invested in the concept of time, it ends up being such a staggering waste of information technology.
After spending a year sailing around the world, Alice Kingsleigh (Mia Wasikowska) returns dwelling house to London to observe that her mother (Lindsay Duncan) has sold off their shares in the trading company that had been backing her journeys - to scorned suitor Hamish (Leo Bill). Facing the end of her career as a ocean captain, Alice escapes her sad surround by jumping through a magical mirror that transports her to Underland. Once in that location, she discovers that her expert friend Hatter Tarrant Hightopp (Johnny Depp) has grown deathly ill at the idea of never seeing his family over again. Determined to assist, Alice discovers she must travel dorsum into the past using Time's (Sacha Baron Cohen) "chronosphere" to undo the events that would pb to the demise of Hightopp's troupe. Disregarding the clock-keeper's warnings, Alice steals the device, unwittingly setting into movement a chain of events that will threaten the very existence of her dearest alternate world and all of its inhabitants.
The motion-picture show starts off like a "Pirates of the Caribbean" yarn, sporting a young skipper engaging in high seas battles, spouting orders to disapproving minions, and succeeding in impossible feats of seafaring luck. Impossible for anyone unfamiliar with the realm of Underland, that is. For Alice, annihilation is possible; for the audience, this belief in spontaneous, inexplicable happenings becomes extremely abrasive, very rapidly. Every predicament is hopelessly insincere, since solutions can exist invented on a whim. No real peril - and therefore no sense of 18-carat adventure - can exist in a globe where zippo is clearly defined.
It seems contradictory to criticize a pic based on the works of Lewis Carroll for being too unrealistic. More specifically, information technology's non as much an issue of realism as it is reasoning (or explanation), which again might audio contrary to the patently absurdist concepts that populate Carroll'south visions. Simply when everything is nonsensical, the plot and the characters generate piddling purpose or drive. Motives and emotions become pointless and hollow. It's a bit like watching a programme for toddlers; information technology's full of colors and sounds and commotion, but it serves merely every bit a distraction, instead of as thought-provoking amusement. To anyone not enthralled by the manifestation of cardinal elements from the original stories, this lack of engagement is insulting to the intelligence.
As for the look, even though Tim Burton is no longer directing, the sets and environments are still nighttime and morbid. With its classic sentiment of an escape from oppression or disharmonize - or simply retreating into the imagination - the film seems to scrape the edges of significantly heavier cloth, like "Sucker Punch" or "Pan's Labyrinth" or, visually, "Crimson Peak." But Depp always seems to pop up at random moments to forcefulness the mood back into utter lunacy, with his exaggerated, cartoonish movements, grotesquely thick and brilliant makeup (which ought to be added to Wasikowska's incredibly pale features), and lisping deliveries. Cohen, too, adopts a strong emphasis, similar to that of Christoph Waltz, but for no apparent reason. With all the attention to caricaturing these roles, they might every bit well have been completely computer generated personas.
While some of the dialogue retains a touch of Carroll'due south rhyming whimsy, virtually of it is negligible. The jokes aren't funny and the various interactions are either too generic to be poignant or also asinine to be pregnant ("That cannot exist," insists Alice, to which Mirana the White Queen replies, "Unless it could"). Quite ironically, for a film and then greatly invested in the concept of time and its value, "Alice Through the Looking Drinking glass" ends up existence such a staggering waste of it.
- The Massie Twins
- GoneWithTheTwins_com
- May 25, 2016
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Source: https://www.imdb.com/title/tt2567026/
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